Different person.
[edit: though i do want to keep the background words as faded as possible, i did alter the levels to bring them out. my intention was to portray a mess of thoughts, with two being clearly crystalized, distinct and brutal in their direct observation. fin.]
i, for one, enjoy the use of negative space; after all, studies show that white on black draws the eye far more than black on white. also, the feeling the piece gives calls for a darker overall appearance, i think. something a little less desolate might be able to use black on white, fading kind of like figures standing at various points in a bank of fog. i'm not sure; sometimes there are little differences that are hard to pinpoint...like, i could tell you that it's going to be a different feeling, but i'm not sure what that feeling would be, exactly.
also, i don't think that legibility is the point here, but more the meaning behind the words. (like the echoes of a whisper you think you almost heard...)
once again, the simplicity gives a clean, finished feeling.
thank you, that was what i was going for.
i also like the effect that the onlook of your piece would be lost as well. given bits and pieces of your though and interpreting it with the vibes they get off the piece.
i truely like this one a lot.
THanks for your beautiful work!
I don't really have a problem with the spacing however.
I think it is well done. Simplicity is your complexity of that makes any sense.
~A
i think by getting rid of the space between the background-words you can better show that " mess of thoughts" idea. and maybe blur those background words a little to show some speed, since they're all racing through your head.
anyway
with the use of contrast you made the words " you're gone" so strong and it just became such a definite statement, a good kick to the heart. great.
how did zee zee go?